Biography
Galina Stetco was born in 1975 in Moldova. In 2000, she earned a degree in architecture from the Technical University of Moldova in Chisinau. She immigrated to Canada in 2003 and has since lived in the Greater Montreal area.
Born under a communist regime and later witnessing the fall of the Soviet Union, she moves through life with a certain serenity, yet always against a backdrop of underlying anxiety.
She began painting at the age of 10 and became interested in sculpture in 2013. Her professional background allows her to develop a visual language rooted in both fine arts and architecture — disciplines that quickly became structural pillars of her identity.
A polyglot — fluent in French, English, Romanian, and Russian — Stetco embodies a genuine openness to the world, reflected in the international reach of her career. Her works are part of private collections in Canada, the United States, Saudi Arabia, Moldova, Italy, Switzerland, and Egypt, and have been exhibited in international symposiums.
Artist’s Statement
Est-il nécessaire de rappeler que l’art ouvre des chemins insoupçonnés par l’introspection et l’expérimentation, émergeant de l’essence même de nos racines et de ce que nous sommes appelés à devenir?
Stetco’s work activates a profound sense of connection between humans and nature, or between individuals and society, viewed as entities of full integrity within the world. While these themes may appear romantic at first glance, the intensity of her treatment captivates through depth and spatial construction, echoing the human condition.
Her visual language draws as much from her architectural background as from her figurative sensibility. Through geometric forms rooted in her training, she explores the plurality of a non-linear reality, building compositions where abstraction and figuration coexist.
A pivotal moment in her practice is embodied in the work Immigrant, a synthesis of her artistic universe. This life-sized figurative sculpture transcends clichés: a woman, unsteady in her stance, marked by accumulated scars of displacement. Molded directly from the artist’s own body, it becomes a full-scale self-portrait carrying the deep wounds of exile.
C.V.
Membership
- Conseil de la Sculpture de Quebec
- RAAV – Regroupement des artistes en arts visuels
Assistant land art
| 2023 | Tout est Gaia, land art urban, Saint-Hyacinthe, (Canada) |
Symposiums
| 2024 | Shadow of Time, 19th Alanya International Stone Sculpture Symposium, Alanya (Turkey) |
| 2024 | Dimensions of Movement, 5th Tuwaiq Sculpture Symposium, Riyadh, (Saudi Arabia) |
| 2023 | Light, 29th edition, Art Engiadina, Sur En, (Switzerland) |
| 2022 | La Vista sculpture symposium, Ostraca Arts, Cairo (Egypt) |
| 2022 | Vers le ciel et faire rever, 8th edition, Saint-Georges, Quebec (Canada) |
Exhibitions
| 2025 | Permanent showcase, Galerie du Vieux St-Jean, Saint-Jean-sur-Richelieu, Quebec (Canada) |
| 2023 | Permanent showcase, MAEL Gallery, Montreal (Canada) |
| 2023 | Jardin de sculptures, Oeno Gallery, Ontario (Canada) |
| 2022 | Boomerang, Galerie La Seigneurie, Chateauguay, Quebec (Canada) |
| 2021 | Poètes de la Matière, Galerie ROD 121, Saint-Sauveur, Quebec (Canada) |
| 2020 | 44 Art Events, Quartier Dix30, Brossard (Canada) |
| 2020 | Undiscovered, Galerie 203, Montreal, Quebec (Canada) |
| 2018 | SCVLPTVRE, Palais des congrès de Sainte-Hyacinthe, (Canada) |
| 2018 | Sculpture au Jardin, Jardin Botanique, Montréal (Canada) |
| 2018 | Le salon des ARTS visuels de Brossard, Centre socioculturel, Brossard, (Canada) |
| 2018 | Printemps de la Sculpture, Place des citoyens, Sainte-Adèle, (Canada) |
| 2017 | Le salon des ARTS visuels de Brossard, Centre socioculturel, Brossard, (Canada) |
| 2016 | SCVLPTVRE, Palais des congrès , Montreal (Canada) |
| 2016 | GALA La Fondation Le Chainon, Hotel Sheraton, Montréal (Canada) |
| 2015 | SCVLPTVRE, Palais des congrès , Montreal (Canada) |
| 2015 | Winter Wonderland, Kateri Memorial Foundation, Kahnawake (Canada) |
